At a Train Station

It was a window to her soul.

She thought these words, standing among one hundred wobbly-legged strangers, and immediately imagined giving herself a face palm. How utterly cliché. How obscenely boring. The women beside her dove headfirst into a stroller to retrieve her screaming child. It was this sort of unwilling bravery that made her want to stay on a train forever, refusing to get off and definitely not relinquishing the window seat.

A window to her soul. What kind of person thought that sort of thing? Women who walk into a library and head straight for the uncatalogued paperbacks. The romance section. These books will end up left out all night beside a pool, their pages dewy, their mediocre text threatening to seep into itself. Once dried, the wavy pages will make the book look thrice as large, and when asked about the damage the women will say “Oh that wasn’t me.” When asked about the book women will say “Oh it’s a wonderful story, I just can’t remember the title” and then they will add “But I know you would just love it.” Everything they say will sound as though it should be in italics. Slanted. Wispy.

The title would be about passion and restriction: The Duchess in the Dungeon, The Butcher’s Bedroom, Sadism at Sunrise.

The Widow’s Window.

The title would not be about screaming babies, drool on satin, or strollers getting stuck in security gates. There would be no impossibly tangled hair, wrinkled shirts, or stale faces. Something that used to be porridge. Melted crayon in the carpets. Lost balloon catastrophes. The woman emerged from the stroller covered with play toys. One magnificent pacifier sat in her hair like a halo.

Who would pick that window for their soul? A bright wedge illuminating a crowd of moronic, sniffling, acronym spouting, unapologetically lumpy, loud wanderers. Perhaps anyone would think it was their soul after spending 5 hours on that train. Pressed up against a man with a stain on his knee “In the same shape as my home state, see?” The size of The Huston State Fair.

The culture of Texas probably doesn’t require a very elaborate Wikipedia entry, she thought.

Is ‘the soul’ always meant to be figurative? Maybe there’s no such thing as a soul. Oh god, that’s a scary thing for an artist to be thinking. Well not quite an artist yet. Unless the diagrams she drew to help her study for her last sociology final counted.

She always felt like an artist, though. The way she could criticize a poorly worded sentence, or recognize an overused cliché. And the degree in the social sciences had to be good for something, right? She thought herself an artistic observer of people. It was a good start, the way she could recognize determination in a foot fall. The way she separated the idiotic from the mediocre. The way she knew the annoying ones from the worthwhile ones. Come to think of it, there had been less worthwhile ones lately. She must be even closer to artist-dom than ever. 

Soon age would take this clarity away from her. She knew it. Something happened to adults, the woman with the soother hat, the man with the knee map. She knew her brain was destined to ripen into an ever accepting mush. It would think it was “mature” or worse, happy. She must grasp these moments in her life, allow her gifted insight to point out everything that was wrong with the world. She must wallow for it! She must express what it cannot. Finally! These morons didn’t know what they were missing.

It was a window to a train station.

And that was that.

I imagine a bag of spilt groceries. 
An egg carton I’d be too afraid to check. A bag of fresh bagels split open. Apples trying to hobble over the curb. 
I half expect a woman to turn the corner there, loose her footing, and let her torso-sized brown paper bag spill. 
Carrots, naked of their toppers, will flop onto the street. Exposed and pathetic, I am embarrassed for them. Somehow the carrots in my refrigerator will taste better when I get home.
Somehow I manage to imagine that nobody helps her. The woman swears in a language, picks up her vegetables with hands, and walks towards home with a hunch.
Home. Home is thickly cubed yams, quartered onions, and whole cloves of garlic boiling in a pot. Home is the shadow of that grate I once saw on a stranger’s brick wall. Home is a stranger asking if you need any help.
A stranger wishes this street were busier. She wishes for crowds squeezing through the narrow street, pressing against the store fronts. She wishes for footsteps, and business chatter, and what the hells?, and bicycle bells, and who do you think you are!, and brushing, smushing, rushing footsteps. Crushed apples would’ve been easier to leave behind. One crushed woman with a broken paper bag would’ve been less obvious.
I watch the shadow stretching towards the sidewalk, maybe. Yearning to feel the footsteps, the pounding of a crowd from far away, the busyness that never comes in this direction.
The spilled groceries are not coming; I have no responsibility here. As I walk in the direction of a busier street I think, “Something with carrots for dinner.”
___
Photo of Doyers Street, NYC by Vivienne Gucwa Photography, all rights reserved.  

I imagine a bag of spilt groceries. 

An egg carton I’d be too afraid to check. A bag of fresh bagels split open. Apples trying to hobble over the curb. 

I half expect a woman to turn the corner there, loose her footing, and let her torso-sized brown paper bag spill. 

Carrots, naked of their toppers, will flop onto the street. Exposed and pathetic, I am embarrassed for them. Somehow the carrots in my refrigerator will taste better when I get home.

Somehow I manage to imagine that nobody helps her. The woman swears in a language, picks up her vegetables with hands, and walks towards home with a hunch.

Home. Home is thickly cubed yams, quartered onions, and whole cloves of garlic boiling in a pot. Home is the shadow of that grate I once saw on a stranger’s brick wall. Home is a stranger asking if you need any help.

A stranger wishes this street were busier. She wishes for crowds squeezing through the narrow street, pressing against the store fronts. She wishes for footsteps, and business chatter, and what the hells?, and bicycle bells, and who do you think you are!, and brushing, smushing, rushing footsteps. Crushed apples would’ve been easier to leave behind. One crushed woman with a broken paper bag would’ve been less obvious.

I watch the shadow stretching towards the sidewalk, maybe. Yearning to feel the footsteps, the pounding of a crowd from far away, the busyness that never comes in this direction.

The spilled groceries are not coming; I have no responsibility here. As I walk in the direction of a busier street I think,

“Something with carrots for dinner.”

___

Photo of Doyers Street, NYC by Vivienne Gucwa Photography, all rights reserved.  

I imagine a clock. Off camera, ticking, unlooked at, ticking.I imagine sitting next to that socked leg, that cello-owner, that side-of-the-road furniture hunter.
He’s been reading something for 20 minutes. A short story I finished yesterday, the 3rd page of the news, an informative book on water snakes. I’ve been admiring the way the door has pushed itself as closely to the window as possible. The door wants to see the outside. Or the door wants to snuggle the wall.
It leads to a smaller room, the door. Darkly curtained, now. The deep purple fabric casting itself on the cedar desk and the stacks of paper. Pages, lying haphazardly on each other. Two seem especially involved. I don’t remember leaving them like that: corners touching, lines just barely meeting, mingling, trying each other out, trying to be each other. I can still hear the muffled ticking from the other room. Denser, further away ticking. Train whistle ticking. Train whistle time. Time here is measured by candle wicks and the space in between laughter.
Laughter. I hear him chuckle, that reaffirming sound, my favourite wake up call. I return through the cuddle door, and think that I should take a picture from this angle too. His leg still crossed, the pages on his knee, his arm ready along the top of that outrageous velvet couch. Already looking up, he knew his chuckle would drag me back.
I walk over, my steps in time with the clock we barely look at these days.
“It was wonderful.”
We put the story away and settle into each other like paper on an old cedar desk.
—-
Photo by TullyK, All Rights Reserved

I imagine a clock. Off camera, ticking, unlooked at, ticking.

I imagine sitting next to that socked leg, that cello-owner, that side-of-the-road furniture hunter.

He’s been reading something for 20 minutes. A short story I finished yesterday, the 3rd page of the news, an informative book on water snakes. I’ve been admiring the way the door has pushed itself as closely to the window as possible. The door wants to see the outside. Or the door wants to snuggle the wall.

It leads to a smaller room, the door. Darkly curtained, now. The deep purple fabric casting itself on the cedar desk and the stacks of paper. Pages, lying haphazardly on each other. Two seem especially involved. I don’t remember leaving them like that: corners touching, lines just barely meeting, mingling, trying each other out, trying to be each other. I can still hear the muffled ticking from the other room. Denser, further away ticking. Train whistle ticking. Train whistle time. Time here is measured by candle wicks and the space in between laughter.

Laughter. I hear him chuckle, that reaffirming sound, my favourite wake up call. I return through the cuddle door, and think that I should take a picture from this angle too. His leg still crossed, the pages on his knee, his arm ready along the top of that outrageous velvet couch. Already looking up, he knew his chuckle would drag me back.

I walk over, my steps in time with the clock we barely look at these days.

“It was wonderful.”

We put the story away and settle into each other like paper on an old cedar desk.

—-

Photo by TullyK, All Rights Reserved

Like Commas, Curled

You said my eyes held a thousand secrets
A thousand things you wish you knew You said 
I’d kept them to myself for far too long
You said you wished you could see what it looked
Like when I blink. I said no one notices
When they blink. But I should’ve stopped at
Notices, cause I’ve never met another 
Whose focus is clear enough to see
Something special about my eyes beyond
Their size. But you did. You, with the patience
With the wisdom of a semicolon
Saw movement in my eyes when you stopped.

We took a pause together, like commas, curled
When you said you thought my eyes could change the world.

Dance With More And Write Only

Go to a party so you can wear that dress
Buy a dress so you have to find a party
Dance with strangers and imagine that
the way they move reflects some deeper
part of them and then dance with more
strangers and notice the difference.
Write a poem that no one will read and
try really hard to make the line lengths
match even if you have to break the wo
rds in half, even if everything else is blurry. 
And write - only if it is the steam chugging
out of your well-poisoned mouth and only
if it is a side effect of your fast-motion self
Write, only if you have to, only if you can find a way to stick out in the words.
Write, only if you find yourself a train and
only if the words have the power to pollute.

If I Were a Place I Would Be a Meadow

The other day in class we were reading a poem in which a forest was personified. Meaning the place was described in a way which made it seem human. It was attributed human qualities. The river panted. The trees cried. Et cetera.

I thought…what if we reversed that?

What if we “placified” people?

I then spent the rest of the class turning myself (and a few other people I know) into vivid interactive imaginary places.

Nobody can waste time like I can.

If I were a place I would be a meadow.

A meadow with the longest, softest, finest strands of grass you’ve ever seen. The cosiest blanket of microfiber green. Extremely responsive to even the most stifled breath of wind. Bowing under every barefoot step you make. And whirlwind dancing in a pattern that suggests you lie down, take a deep breath, and look up at the clouds.

There are always clouds in the sky – but they never block out the sun. They’re there to make you wonder why they even bother. To make you try to guess what they want to look like. Their only goal is to make you think.

From the centre of the meadow rises a perfectly formed ring of a hill – so steep and high that even when standing at the bottom you can’t see what is on the other side. Hills that make you feel tiny. Hills that you could roll down forever if you wanted.

And standing at the bottom, you would wonder where the nearest hint of civilization was. How sincere is this seemingly secluded sanction? You would wonder why it needed such a protective ring of grassy hills. And you would climb to the top.

While you were climbing you might imagine what will be on the other side. Jagged skyscrapers and crooked traffic jams? A haphazard row of huts? A mess of buildings? You might feel angry at the lie this wonder meadow might’ve been all along.

But if you got to the top your worry would evaporate. All you can see is an ocean of green green grass -  billowing in the warm wind. Bumpy waves of breeze washing all the way from the horizon and ending on your face. Rubbing the genuinity in. Pulsing truth.

And you feel like the only person in the world.

And for that moment, you are.

Once you’ve stood at the top for a while, contemplating the truth you are in the presence of, you might turn around to go back into the ring valley. And you might notice the towering oak tree perched at the top of the opposite side. And you might walk over and see if anything lived inside.

OR instead you might venture down towards the horizon. Wading through grasping green fingers, you’ll walk forever without getting close to anything besides your own thoughts.

And you’ll never know what was in the tree.

Placify yourself. What would you be?

Tags: writing

Papercuts and Brainscars - a story about imagining wonderful things that will never happen.

Once upon a time

There was a girl in a library.

Actually, this girl had been in the library
Hundreds of onceuponas
Maybe thousands
But this on particular time, the girl was working.

Mostly collecting payment for printouts
Explaining how to photocopy
And sometimes kicking hide-and-go-seekers out

She spent a lot of the time sneezing,
And the rest of it studying
But she liked it a lot.

Even though sometimes she got in trouble
For forgetting to close the blinds
At the end of the night.

Once upon a few times
There was a girl in a library.

This time
There was also a boy.

A boy with a striped shirt
Using the computer
Which faced away from the window
Quietly, and uninterestingly.
A boy who she had never seen before.

A boy who she did not care about
As long as he kept quiet
And paid for all of his print-outs.

She was quite content to continue in the silence
Only punctuated by his tiptoe typing
And her scratchy scribbling 
A duet between old and new.
The murmuring of strangers in the same room.
She was content to only ever speak with him
In this coexistent way.

But he was not.
Suddenly he was at her desk
Asking her something about footnotes
Which she does not remember
And which she did not know the answer to.

He didn’t leave.
She said, “You could try Googling it.”

He was noticing her eyes
Or maybe she had something on her face
I don’t know.
But he smiled before he left
And said thank you even though the girl didn’t help him at all.

Later, he came to pay for 15 pages of printing.
“So that’s a dollar and fifty cents.”
“Actually, I have one coming after this.”
He slid an extra dime across the counter.
And they both sat down on opposite sides of the room.
Riveting.
The tension in the library had never been more average.

Nevertheless, later, as she held a book above her head with one hand
Prying space for it between the fingers of her other
In the shelf
She slipped it back home
And remembered something her imagination and created years ago:

Another library, another computer lab
Another once upon a time that never happened
A girl sat at a desk
And a boy sat in front of a screen
Found an excuse to talk to her, 
And smiled at her for no reason.

He wasn’t particularly interesting.
He was just there. In the library.
And so was she.

He paid for a print-out, sent it,
And left.
Forgetting it.
Leaving it in the tray.

The girl was 15, and a romantic.
At least as romantic as a 15 year old girl
Who had a pet lizard 
And considered heels an inconvenience 
could be.

As she stepped towards the printer
She imagined the words she would find
“Meet me on the corner of King and James
I’ll be the one with the guitar.
Bring wine.”
Or
“ur hot. call me.”
Either way
It would make a great story.
And by time she got to the computer
She not only hoped
But expected
That the words on the page would be a message for her.
But

The page had nothing on it.
The page was blank.

And she had no reason to be surprised
She had no reason to be disappointed.

It was unremarkably unmarked.
And so was she.

Flash back forward to two months ago
When a 20 year-old stood in front of a row of 
Impeccably shelved, if I do say so myself,
Books.
And imagined what the words on the page
He might leave behind
Would be.
Foolishly.
Because

I didn’t want to see this boy again
The only thing I knew about him was that
He doesn’t know how to cite stuff
And that sometimes he smiles.

That describes most of the boys I already know.

So why did I check the printer
While mentally crossing my fingers
At the end of the night?

Why did I actually think that there would be
Something
There
For me, just once?
Just this one time.

Maybe because libraries make my mind 
mushy, but also especially electrical.

All those pages
Sharp and edgy on their own
But soft when bound together
Beautiful with purpose

Maybe because libraries get me.

Or maybe because imagining things
That are never going to happen
Is a good way
To stay happy
Even when the blinds are drawn
The heater wheezes
And the only arms you have
The only arms you have ever had
Are your own.

The only pages that have ever been left behind for you
Are blank.

Blank
To be drawn upon
As once upon a time
As when you draw the curtains
At the end of the night
When

You are the only thing
That has been
Left behind,

You are the only one
Who knows
The Once Upon A Times
Of your mind.

I want to tell the story of the world

By being a part of it.

If I could, I would get on a plane tomorrow and leave.

I don’t know where I would start, but it would definitely be place that was extraordinarily different then what I’m used to. I would spend a week as a tourist - seeing monuments, getting lost, taking pictures, meeting the locals and telling them I’m new and am excited to see and hear it all.

I would get lost at least once in every city I went to. When your lost, you see things as they are because you need to. I would defamiliarize myself from something that was already unfamiliar. I would see things I would’ve otherwise missed. I would remember them deeply because they were preventing my panic.

Sometimes you need to be disorient yourself to understand where you are.

After my week of tourism was up, I would spend 2 weeks immersing myself in this still-new place. This place I’d only scratched the surface of. This place I yearned to understand and be a part of.

I would sit by rivers alone with a notebook. I would take pictures of things other people missed. I would notice the different ways in which tourists reacted to the city. I would have the most interesting conversations of my life.

I would learn how to draw.I would try to learn how to draw.

I would tie a disposable camera on a park bench with instructions, then come back the next day to check the film. I would create a blog and upload the ones that weren’t nudity.

I would write out the stories of people who weren’t sure how to tell them on their own.

I would not be afraid to care. I would not be told what not to do. I would not be mocked, because to everyone I met I would be new. To a stranger, quirky is exciting. To be weird is to be set apart from the hundreds of other strangers they’ve seen today. My impression on them would be real. They would know me as I should be known - out of my element and completely okay with it.

I want to practice my sincerity on strangers.

I want to wear a dress from Italy on the streets of Brussels. I want to drink French wine in Germany. I want to learn to dance in Spain, and then practice in India. I want to discover how to say “Good Morning” in Polish, and then teach it to an Egyptian. I want to send a Brazilian postcard to my new friends in Portugal.

I want to be a part of every country, and I want every country to be a part of me.

I want to show the world itself.

I want to tell the story of the world.

And I sure as hell can’t do that from here.

Why are we always tired?

When you cannot sleep at night, and when the trail of your eyes is slow in the day, and you wonder:

Why am I always tired?

When your face is warm but your feet are cold, when your steps seem to take forever, when fractures turn to tingles…

And your body wants to give up. It wants to sleep, to start afresh, but it never can. It whisper-yells “why”. More as a statement than a question.

And your mind screams back in alert full force:

“WHY?! WHY ARE WE ALWAYS TIRED? Maybe because of you, Body. Always demanding. Always pursuing easy pleasures: running, eating, dancing, drinking. Quick at the first jump and slow at the second: Chasing, straining, finding, losing.

You feel EVERYTHING, and you feel so hard. You seek and you find and you feel it all. You get to feel it all at first glance, at first graze, at first.

You’re an enchantment expert, you can bring anything to life. What you do is beautiful and profound.

But oh the mess you leave for me, the Mind.

For once you’ve felt it, it is gone.

And it’s my job, mind you, to figure out.

To sift through and analyze. To pick up your chaos, and to decide what it means for the rest of us – for the Heart and for the Soul.

So together we can try to stop your maniac routine next time.

And your Heart is sad, Body. For its job is to sort: to treasure or to delete all that you have gathered so mindlessly. To delete sounds the horror, and for a moment it is. You’ll only have to feel a pang: a brief shattering with a glass hammer, before I sweep up the pieces and hide them away. Don’t be fooled: to treasure is a slow poison, infecting you one vein at a time. But one day it will paralyze and stop you, Body. The Heart’s job is a sad one, and I do not envy it one bit.

As for your soul: it is flickering, for it hasn’t been fed in a while.

You keep me too busy,

Body.

Leave me alone.”

Suddenly your body snaps it’s eyes back open. It forgot where it was.

It’s on a throne it built for itself.

With your mind and your heart and your soul in a box underneath.

Tags: prose writing